Petja Grafenauer Krnc (1976)
Je neodvisna likovna kritičarka in kuratorka. Končuje doktorski študij Zgodovinske antropologije likovnega na ISH v Ljubljani ter dodiplomski študij Primerjalne književnosti in literarne teorije na Filozofski fakulteti v Ljubljani. V letih 2006 in 2007 je bila urednica Redakcije za kulturo in humanistične vede na Radiu Študent. Kot kuratorka od leta 2007 sodeluje z Galerijo Ganes Pratt, v letošnjem letu vodi program Galerije Tobačnega muzeja Ljubljana, je voditeljica Sveta umetnosti pri SCCA-Ljubljana in predavateljica na Famul Stuart, Ljubljana. Redno objavlja v časopisih, revijah in samostojnih publikacijah.
Angela Harutyunyan
Diplomirala je iz umetnostne zgodovine na državni Univerzi v Erevanu. Je članica združenja armenskih umetnostnih kritikov (www.naac.am ). Med leti 2002 – 2004 je delovala kot kustosinja v armenskem centru za sodobno eksperimentalno umetnost (ACCEA). Bila je tudi kustosinja mednarodnega festivala “Public_Media_Space” v Erevanu. Trenutno piše doktorat iz umetnostone zgodovine in vizualnih študij na Univerzi v Manchestru.
Suzana Milevska (1961)
Visual culture theorist and curator and currently works as a Director and Lecturer in Visual Culture at the Visual and Cultural Research Centre “Euro-Balkan” Institute in Skopje. She received her PhD at the Visual Culture Department at Goldsmiths College in London. In 2004 she was a Fulbright Senior Research Scholar at Library of Congress and she also received P. Getty Curatorial Research Fellowship (2001) and ArtsLink Grant (1999). Since 1992 she curated over 70 art projects in Skopje, Istanbul, Stockholm, Berlin, Bonn, Stuttgart, Leipzig, etc. She was one of the curators of the Cosmopolis Balkan Biennial in Thessalonica (2004) and of the International Biennale of Contemporary Art 2005 – National Gallery in Prague. Her publications include “From a Bat’s Point of View” in Eduardo Kac, edited by Peter Tomaz Dobrila and Aleksandra Kostić (Maribor, 2000), 47-58; Capital and Gender, edited by Suzana Milevska (Skopje, 2001); “The Readymade and the Question of Fabrication of Objects and Subjects” in Primary Documents – A Sourcebook for Eastern and Central European Art since the 1950s (New York, 2002), 182-191; “The portrait of an artist as a young ‘strategic essentialist’” in Tanja Ostojić – Strategies of Success / Curators Series 2001-2003, (Belgrade, 2004), 33-43; “Curatorial Labyrinths in Macedonia”, Men in Black – Handbook of Curatorial Practice, Ed. Christoph Tannert/Ute Tischchler, Kűnstlerhaus Bethanien (Berlin, 2004). “Hesitations, or About Political and Cultural Territories” in Cultural Territories, edited by Barbara Steiner, Julia Schäfer and Ilina Koralova (Köln, 2005), 31-43; “Is Balkan Art History Global” in Is Art History Global, edited by James Elkins, (New York, 2006), “Resistance that Cannot Be Recognised as Such – interview with Gayatri C. Spivak” in New Feminism: worlds of feminism, queer and networking conditions, Löcker Verlag (Vienna, in print).